INDIEBOOGIEMAN BLOG

Well, the festival is underway and so far we have some interesting short flms.  The Spotlight for today is Match Work.  It's a short Horror film.  You can see at http://bit.ly/6h0fYK.  It's pretty good and has some absolutly awesome acting. 

I hope that you enjoy the film and let Aaron and Austin Keeling know what you think in their comment section.  Register with Indieroar on the main site. 

Happy Holidays,

ian

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Nine days from now IndieRoar launches.  Pretty wild.  I've been working on this for a year and a half.  Nine days from now it launches and the real begining of a five year plan begins.  I am still working on getting the additional prizes for the festival.  We are getting the emails set up this week, which is rediculous.  It just slipped through the cracks.  Hopefully nothing else has, but I guess, we'll see.  Heh

I have three sponsors right now; Guerilla Software, American Cinematographer and Shroggle.  They are putting up prize money, software and magazine subscriptions.  Over $30,000.00 in cash prizes.  That should get some people's attention.  God I hope that gets some people's attention.

I was told to only write pro IndieRoar anecdotal blog's.  That's just not my way.  I will write about the films that enter and whatever other topics come to mind.  Drop me a line at ian@indieroar.com.  I will get back to you as quick as I can, hopefully within two days.

The phrase "excuse me" used to be a polite way of saying: Please move out of my way. I am trying to get to the other side, past, away from or around you. Thank you in advance for your cooperation in permitting me to move past you.

Now, or at least to all the people in front of, moving slowly or generally in the way of me today, "excuse me" seems to mean turn around, look at me with a vapid stare suggesting that you are devoid of any thought, stand in the way without moving or any awareness that moving out of the doorway or small hallway or any of the other places that I HAVE BEEN TRYING TO GET THROUGH ON MY WAY BACK FROM LUNCH TO REPORT BACK TO JURY DUTY!!!!!!!

the book

I've been reading The Jew and the Lotus on my new Kindle. First the Kindle is an incredible device. I have something like thirty books, one magazine subscription and two daily newspaper subscriptions on that bad boy. It's lightweight, easy to use and a great conversation piece. If it was a woman, I'd marry her. Especially now that my ex was kind enough to tell me that she met someone new. Nice.

The book (which ex girlfriend (it didn't work out (but she was awesome (mostly)) gave me) [cool use of parens, no?] is pretty good. A bunch of Jews, from a half dozen different denominations, travel to India to meet the Dalai Lama and engage in dialogue about survival in Diaspora. The Lama* wants to learn from the Jews how they survived without a homeland. Most of the Jews didn't really think about the fact they had something to learn as well. In their defense, many of the Jews realize that they have all kinds of new philosophies and concepts to explore. I'm only about a third of the way through, but so far it's amazing.

I am looking forward to the summations at the end of this journey. It could go in a few directions. I suspect that the Llama will get some benefit from the experience of the Jewish people in finding their path to the future. I'm more curious about how the Buddhists will affect (effect?**) the Jewish leaders.

*When I was a kid, I didn't understand the difference between a Lama and a Llama. I could not figure out why people would travel to Tibet to climb mountains and talk to a big goat thing. Than I saw Dr. Doolittle with Rex Harrison. The movie had a PushMePullYou a two headed, no pooper, Llama that people sang songs about and I was really confused. I think that I finally figured it out when I was about 20. It's not that I'm stupid, I just never thought about it.

**I really have to look that up.

somedays

To quote Woody Allen: Life, what a mother fucker.  I have to go pitch a romantic comedy to possible funders in a few days. Yay, Im feeling particularly NOT LIKE DOING THIS RIGHT NOW. Wow, is that going to be a fun pitch. It's not just a pitch meeting. They want to talk to me about raising GAP financing and finishing funds for some of their movies. I guess we'll see if we can help each other out.

It's a fun comedy. I have been writing it on and off for about two years. It takes place in San Francisco over a few weeks in December. I think that if I can work it right there is solid potential for a Christmas type movie. My lawyer/producer Paul says that limits the marketability of the project. I'm not sure that I agree. When Hary Met Sally was released in July and that had it's finale at a New Years party. Not really a comparison, I know. WHMS had actual stars, a star director and huge budget. I will have none of those things and the industry has changed dramatically but, so what. Live the dream is the only reason to do this. Although, it is such a small budget that I may have to open the story to take place anytime of year.

There are three main couples: Will and Sue, Peltz and Mackenzie and Ryan and Caroline. Will and Sue are a couple of young twenty somethings trying to figure out if they should stay together or break up. Sue is thinking "break up" because she is "too young to be this settled." I have 80% of their story done. I still need to work out the final scene where they see each other for real and get together.

Peltz and Mackenzie are both artists. He makes puppets. She is a singer. He loves her. She thinks he's an asshole because he's rude to her when he's nervous. Hijinxs ensue. He falls for her. Doesn't say anything. She falls for him. Doesn't say anything. Peltz friends finally push them together.

....And Ryan. Ryan is based on every bad breakup, relationship, unrequited love that I have ever had. Ryan falls for Caroline. As soon as he's open to her she leaves him (I wrote this before my bitch ex-girlfriend ripped my heart out my ass).

The three stories interlace by connecting the characters through work and friendships. I plan to get a mid range name actor for Ryan. A known, up and coming TV character actor for Peltz (I don't know what he looks like now or even if he's young enough, but I think that the chubby red headed kid from the Sandlot is the type I'm looking for). For Will a just past his teen sensation years, TV guy . For Mackenzie, I want to get a singer that can belt out a blues song with deep sultry sex. Possibly a European singer with a following there and use that to help exploit the foreign markets. And an unknown actress for Sue. I will find a hot dusky hued model for Caroline.  Why the hell not, right?

Shoreline

The meeting with Shoreline went well. We discussed some possible deals for the future. Morris and I had a good conversation. It was clearly a "feeling out discussion." We talked about a few projects that Shoreline represents and a few projects that I represent. How Shoreline exploited them and what made Shoreline choose to work with those projects. They base their decisions on their inside sales peoples projections of what they think they can make off them in foreign markets. My company Heretic will send them Lurking in Suburbia to see if they want to distribute it internationally. Could be the start of a solid relationship.

An awkward moment in the conversation came when I asked him about a scumbag sales rep who we will call Dirtbag Steve. Dirtbag Steve repped a small project that went to Shoreline instead of Heretic. That's fine projects get to one distributor or another and getting mad over one lost opportunity will keep you from exploring the next opportunity. It will also make you old, fat, bald and really really frustrated. The problem with Dirtbag Steve is he told me that I could have that project if I invested in another of his projects. As far as I know, Dirtbag Steve never gave those filmmakers my offer. Life is too short for that kind of lack of ethics - I know that's naive, but seriously, the people that succeed in this business and life in general are true to their word. I asked Morris if he did much work with Dirtbag. Morris said "no." I said "Good. If you told me that you worked with him often. I would have walked out." I'm pretty sure that the look in his eye said: Wow, a strait talker. That must get him in a lot of trouble. What he actually said was "I guess I can be frank, I don't much like him much either."

I liked Morris. One of the rules I like is work with the right team. People that you can trust. People that you want to work with for a long damn time.

Jazz at Pearls

I haven't done one of these posts for a while. There are a few things that I have wanted to write about; so there will be at least three or four in the next few days.

Something special happened this weekend. I came back from a trip to New York early to attend the last night of Jazz at Pearls. Jazz at Pearls is a San Francisco landmark that has the best ambiance / vibe of just about anywhere in the city. It's down the block from the Condor club, which I think is the first all nude strip club in the country. Around the corner is the Hungry I, which was a huge beatnik hangout long ago. Also near Vesuvio's (I think) and City Lights books where all the beat poets hung out in the '60's. Basically, it's a helluva neighborhood. The club itself is small and kind of dark. The stage area is pretty small. It accommodates a Piano, stand up base and drum set. The stage is next to the window. When sitting in the audience you can see into the AliBaba smoke shop across the street. Part of the fun is watching the pedestrians walk by, stop and enjoy the music for a minute before moving on. The music is usually great and sometimes special. I was pretty sad that this fantastic place was closing.

So, I got home from New York and home from the airport by about 6:30, walked/ran to the store in a mad dash, got back and cooked steaks and spinach with mushrooms (the boring kind) for me and my friend and made it to the club by 7:50. Six of my friends were there waiting for us. We got drinks and seated about a minute before Kim Nalley began. She began the night by telling us the Pearls as of yesterday was NOT closing and that she was exhausted. Apparently, some people that loved the place bought into it at the last minute to keep it open. Awesome! She managed to get a month worth of acts lined up in the previous 48 hours and kept all of the staff.

....and she sang her usual absolutely amazing show. She did some Ella Fitzgerald and a bunch of songs that I'd never heard before. This whacko at the end of our table kept singing along. When I asked her to be quiet she flipped me off. Nice. Later, someone else asked her to stop talking and she said, quite loudly, come to think of it: but, I was whispering! A few people around us asked her to be quiet at that point. I didn't care. My favorite Jazz club was staying open and that means hearing more great acts in a small venue with no reservations.

Indie Roar

It looks like I am actually going to build this festival. I wonder how it will play out. Right now, I need to figure out what I want to offer in the actual website. I think that I will have a main page with entrants getting there own page which will have a bunch of features on it including their film available to view. It's an interesting challenge to design something like this. I used to work with architects to design real estate. This is pretty different. I hope that I can figure out how to make my way of organizing work with the programmers.

The thing that I think is cool about this idea is that it helps resolve several of the main problems of Short Films. First, now that the short is complete, what can you do with it? Second and the main problem being no one ever gets to see them. With this site, artists will, hopefully, be able to have their film available at a high resolution for public consumption. I think also that this will be a good forum for new filmmakers to meet each other. Also, if they read my blog possibly learn from my bitter experience as I pontificate into the great void that is the INTERweb....

Or this is a complete waste of time and no one will care or enter. I think that I will offer $2500 to the first prize winners in three different categories; drama, horror and comedy. If I can, I will get some sponsors to offer me some additional prizes for 1st and 2nd prize winners as well. I really want B & H Photo to give me some gift certificates for the winners. If they don't, I'll probably just buy them and hand them out.

The Bloodshed

So about two years ago, Alan Rowe Kelly calls me and says: I want to make a trilogy like Creepshow. It'll be me and two other horror directors. I said: Cool, have a great time. You should have them thematically connected in some vague way. He said: Great idea, what are you talking about? I said like the Brothers Grim fairy tales or 10001 Nights. Each story is independent yet lends to a greater theme. He said: Brilliant and hung up. He called back: How much can you put into the project? I said:  I hate it when I talk to Alan sometimes. His films are always a lot of fun make decent money and he's been a friend for years. I had said previously that if he can get his next projec going (I forget the title, but the budget was 300K) I would put up the first 10K and a letter offering DVD distribution. He said: Instead of that, give me the 10 grand for the short and we'll have a movie in six months. I thought and than said: WTF...? Sure, Alan's been a friend.

I was going to be on set as EP for the Blood Shed, but the shoot date got pushed by two weeks and I was going to Poland to shoot a documentary. I got back and called Alan. Alan said: Uhhhhhh...... we spent all the money, but didn't shoot a short. I said: What?!? You M....F.... I trusted you. What the F...in bleep C.....Sucker, dirt bag piece of S.... Alan interupted, sheepishly, which is the only time, I've heard him not over the top: We shot a feature instead.

I thought: OK, kinda different. I saw the initial cut a few months later. In a hotel room in New York with the guy that made up all the weird crazy violent sick stuff that went into the movie. A movie that can best be described as Pink Flamingo's meets the Texas Chain Saw Massacre. Or in my opinion the Citizen Kane of in-bred, hill billy, cannibal films. And yes, that's Alan playing Beeftina.